1974 John Williams, Bass Man with the Doc Severinsen Tonight Show Band

Here's what John Williams, Bass Man with the Doc Severinsen Tonight Show Band, is saying about his Peavey Amp: "I get beautiful bass response and tonal versatility. If it wasn't the best amp available, I wouldn't be using it."

1974 John Williams Bass Man with the Tonight Show Band Peavey Amp Ad available at www.GuitarPulp.com

1981 Queen Guitarist Brian May - International Musician & Recording World Magazine Interview

Contents: Brian May - Queen Guitarist gives up several hours to Chip Stern, David Fricke and Chris Doering; Iggy Pop; GuitarCheck - Peavy T15; Brian Eno; The Allman Brothers; Miles Davis; Hartley Peavey on guitar styling; Drumcheck - Roland TR808; more

1981 November International Musician & Recording World Magazine Back-Issue available at www.GuitarPulp.com

1990 Alice Cooper: Power from Peavey

"The Peavey 412M and 412MS cabinets are screaming. Man, they're punchy, they,re fat, and I'm driving them. I'm running a ton of stuff through the VTM 120's and I don't lose any definition. My Peavey gear is happening." - Al Pitrelli, Lead Guitar

1990 Alice Cooper: Power from Peavey Ad available at www.GuitarPulp.com

1986 Joe Pass - a private guitar lesson

Contents: Joe Pass - The jazz genius details his solo approach to single-note lines and improvised chord-melodies. Includes exclusive Soundpage recording and extensive music examples; Tom Petty & Mike Campbell; New York Underground, Arto Lindsay, Elliott Sharp, Rhys Chatham, Fred Frith; Pete Cornish - custom pedal boards; Inside Peavey; The Tail Gators; Bassist Bunny Brunel; The legend of Big Bill Broonzy; Martin's fanciest acoustic - pre-Civil War steel string; more

1986 August Guitar Player Magazine Back-Issue available at www.GuitarPulp.com

1976 Lynyrd Skynyrd, rock & roll's most exciting new group

1976 Lynyrd Skynyrd, rock & roll's most exciting new group, get their watts up with Peavey sound gear.

Peavey Electronics, Meridian, Mississippi 39301

1976 Lynyrd Skynyrd, rock & roll's most exciting new group Ad available at www.GuitarPulp.com

1978 Peavey XR-600 Mixer-Amp, PA-100, PA-200 & Standard PA

Meet the new generation of Peavey compact P.A.'s. Now there's a whole new line of mixer/amps from Peavey designed for today's more demanding and varied sound reinforcement applications. We've added new features that, in many cases, make these new compact systems as versatile as the larger and more expensive "component" sound systems...

1978 Peavey XR-600 Mixer-Amp, PA-100, PA-200 & Standard PA Ad available at www.GuitarPulp.com

1979 Banner Thomas of Molly Hatchet with Peavey T-40 Bass

We've spent years in research and engineering to bring you a really sophisticated line of bass guitar enclosures. Take our 118FH for example. It's a folded horn system designed around our premium Peavey Black Widow 18" low frequency transducer; a rugged powerhouse of bass response with all the characteristic efficiency and projection qualities of a horn loaded system. And due to the design of the Black Widow, the 118FH is capable of delivering much higher frequencies than other 18" folded horn systems...

Pictured: Banner Thomas of Molly Hatchet, rockin' with Peavey sound gear and the Peavey T-40 Bass; 118FH BW shown with Mark III Series Bass Amp.

1979 Banner Thomas of Molly Hatchet with Peavey T-40 Bass Ad available at www.GuitarPulp.com

1979 Molly Hatchet "The South rises again" for Peavy Amplifiers

Molly Hatchet, "The South rises again"

The crew is set. The place is packed. The lights go down and Molly Hatchet thunders on stage churning out their own brand of Southern rock with the power of a steam driven locomotive. And the train keeps rollin' from Jacksonville, Florida through concert halls across the country, leaving audiences dazed and sending the sales of their first album soaring.


The guitar force behind Molly Hatchet; Dave Hlubek, Duane Roland, Steve Holland, and Banner Thomas work together to create a sound that soars with harmonies, hooks, and heavy rhythm textures that take you beyond anything you've heard before. "We went through a lot of equipment before we got the big, ballsy sound we wanted", says Dave Hlubek. "We get that sound with Peavey equipment. We've been using Peavey on the road and in the studio for about three years now. It's the best we've ever played...we're really convinced."

1979 Molly Hatchet "The South rises again" for Peavy Amplifiers Ad available at www.GuitarPulp.com

1990 Al Pitrelli for Peavey Bandit with SuperSat Guitar Amplifier

Onstage, Al Pitrelli's high-energy backing of Alice Cooper calls for the power and metal crunch of the Peavey VTM 120 and 412M enclosures. Backstage, Al Pitrelli warms up with the new Peavey Bandit with SuperSat. The SuperSat feature and the Bandit's all new preamp EQ design make up a small, combo unit that screams like a hot-rodded, seven-foot stack. 80 watts RMS, one twelve inch Scorpion speaker and a cosmetically redesigned package that is less than twenty inches high...the Peavey Bandit. That old saying, "you've got to hear it to believe it" has never been more true.

1990 Al Pitrelli for Peavey Bandit with SuperSat Guitar Amplifier Ad available at www.GuitarPulp.com