1978 January 26 Down Beat Contemporary Music Magazine Back-Issue available at www.GuitarPulp.com
Showing posts with label Microphone. Show all posts
Showing posts with label Microphone. Show all posts
Tuesday, June 28, 2011
1978 Ron Carter "The Compleat Artist"
Contents: Ron Carter "The Compleat Artist"; Lew Tabackin "Tabackin Road"; Jack Bruce "Low String Eclectic"; Blindfold Test: Yusef Lateef; Profiles: Raul de Souza, Mel Martin; Caught: Dexter Gordon Quintet, Al Grey, Jan Hammer; How to choose and use the right microphone; more
1978 January 26 Down Beat Contemporary Music Magazine Back-Issue available at www.GuitarPulp.com
1978 January 26 Down Beat Contemporary Music Magazine Back-Issue available at www.GuitarPulp.com
Friday, May 6, 2011
1984 Frets: The New Acoustic Music - David Grisman, Bela Fleck, Tony Trischka, Jerry Douglas, Mark O'Connor and more...
Cover Story: The New Acoustic Music - David Grisman, Bela Fleck, Tony Trischka, Jerry Douglas, Mark O'Connor and more...; Features: Roy Clark on Stage; Jimmy Henley; Pickups vs. Microphones; Inside the JEMF (John Edwards Memorial Foundation); Frets 5 year index; Workshops: Chet Atkins - Left-hand rolls - stretching yourself for speed; Alan Munde - Three finger exercise - ways to master picking flexibility; more
1984 February Frets Acoustic String Instruments Magazine Back-Issue available at www.GuitarPulp.com
1984 February Frets Acoustic String Instruments Magazine Back-Issue available at www.GuitarPulp.com
Labels:
Alan Munde,
Bela Fleck,
Chet Atkins,
David Grisman,
fingerpicking,
Guitar,
Jerry Douglas,
Jimmy Henley,
Mark O'Connor,
Microphone,
Pickups,
Roy Clark,
Tony Trischka
1983 Charlie Daniels - Grammy winning rebel fiddler
Features: Charlie Daniels - Grammy winning rebel fiddler; Inside Studio "A"; Chris Hillman; Richie Havens; Cutaways of the '80s; Christopher Parkening; Workshops: Ed Schilling - Miking instruments; Dan Crary - Escaping up the neck - a getaway to new solo licks; Earl Scruggs - Picking with punch - finding "pop" in your playing; Roger H. Siminoff - Wait for the tone - hearing through the notes; more
1983 October Frets Acoustic String Instruments Magazine Back-Issue available at www.GuitarPulp.com
1983 October Frets Acoustic String Instruments Magazine Back-Issue available at www.GuitarPulp.com
Labels:
Banjo,
Charlie Daniels,
Chris Hillman,
Christopher Parkening,
Classical Guitar,
Dan Crary,
Earl Scruggs,
Ed Schilling,
Fiddle,
Guitar,
Microphone,
Richie Havens,
Roger Siminoff
Saturday, January 8, 2011
1974 Richie Havens - Turner TC20 Microphone
Give a musician something better to work with and you'll hear what happens. There's talk that the new TC20 mike is something special. Sometimes what happens is spectacular. Sometimes it's subtle. But it's happening in New York with Richie Havens...
1974 Richie Havens - Turner TC20 Microphone Ad available at www.GuitarPulp.com
1974 Richie Havens - Turner TC20 Microphone Ad available at www.GuitarPulp.com
Labels:
Microphone,
Richie Havens,
sound equipment
Thursday, January 6, 2011
1974 Maestro CM 2000 Microphone - The Ultimate Performer
Maestro CM 2000 - the microphone built to perform under any circumstances. It's an electret condenser mike that's perfect for on-stage performing even though it's more than sensitive enough for the most demanding studio work...
1974 Maestro CM 2000 Microphone - The Ultimate Performer Ad available at www.GuitarPulp.com
1974 Maestro CM 2000 Microphone - The Ultimate Performer Ad available at www.GuitarPulp.com
Wednesday, September 22, 2010
1976 Loretta Lynn & Shure Microphones - Country Cousins
Loretta Lynn is the First Lady of country music wherever she appears. Over the years she's endeared herself to millions of fans with her warm, honest style and genuine felling for her audience. Every time she steps on stage she wants to give them a show they'll remember. And to be certain that's what her fans get, Loretta uses Shure microphones and the Vocal Master Sound System. She knows that she can depend on Shure quality to stand up show after show with a sound that's clear and natural, filling every corner of the room. In Music City and around the world, Shure is the sound of the professionals.
1976 Loretta Lynn & Shure Microphones - Country Cousins Ad available at www.GuitarPulp.com

1976 Loretta Lynn & Shure Microphones - Country Cousins Ad available at www.GuitarPulp.com
Wednesday, September 15, 2010
1978 Shure SM59 & SM58 dynamic cardioid microphones
Shure makes microphones for every imaginable use. Like musical instruments, each different type of Shure microphone has a distinctive "sound," or physical characteristic that optimizes it for particular applications, voices, or effects. Take, for example, the Shure SM58 and SM59 microphones...
1978 Shure SM59 & SM58 dynamic cardioid microphones Ad available at www.GuitarPulp.com

1978 Shure SM59 & SM58 dynamic cardioid microphones Ad available at www.GuitarPulp.com
Monday, August 2, 2010
1979 Shure Microphones - take it from the Pros - Rod Stewart, Tina Turner, Paul Anka, Ronnie Milsap
There's a Shure mike with the hard rock beat of Rod Stewart when he wants to sound "Footloose and Fancy Free." But, there's also a Shure mike that helps keep Paul Anka sounding subtle and soft. And, a Shure mike to help keep Tina Turner sounding nice...and rough. There's a Shure mike to keep Ronnie Milsap sounding just like a song. Take a lesson from each of these performers and hear what the sound of the professionals can do for your act...
1979 Shure Microphones - take it from the Pros - Rod Stewart & more Ad available at www.GuitarPulp.com

1979 Shure Microphones - take it from the Pros - Rod Stewart & more Ad available at www.GuitarPulp.com
Labels:
Microphone,
Paul Anka,
Rod Stewart,
Ronnie Milsap,
Tina Turner
Thursday, July 29, 2010
1979 Beyer Dynamic M500 ribbon microphone
A Ribbon for the Road. Beyer thinks the ribbon microphone is too good to be left behind. So we designed our M500, which comes with a protective carrying case, to stand up to the rigors of the road. It's a true handheld performer's mic that's ruggedly constructed for touring and remote recording, without sacrificing superior sound...
1979 Beyer Dynamic M500 ribbon microphone Ad available at www.GuitarPulp.com

1979 Beyer Dynamic M500 ribbon microphone Ad available at www.GuitarPulp.com
Wednesday, July 28, 2010
1979 Lab Series Music Equipment
Choose up to $5,000 worth of instruments and equipment from these product lines: Pearl microphones, Gibson, Pearl, Sennheiser microphones, Moog, Maestro, Epiphone, Lab Series.
Lab Series, a product of Gibson, a division of Norlin Industries
1979 Lab Series Music Equipment Ad available at www.GuitarPulp.com

Lab Series, a product of Gibson, a division of Norlin Industries
1979 Lab Series Music Equipment Ad available at www.GuitarPulp.com
Labels:
equipment,
Gibson,
Microphone,
Sound Effects
Friday, July 23, 2010
1979 Audio-Technica ATM91 Microphone
Road Tough? Prove it. It's six long feet to the floor. What will happen when our great sound hits bottom? How long will it still sound great? We had to find out. so we picked an ATM41 Dynamic and an ATM91 Fixed-Charge Condenser out of stock, tested them, and started in...
1979 Audio-Technica ATM91 Microphone Ad available at www.GuitarPulp.com

1979 Audio-Technica ATM91 Microphone Ad available at www.GuitarPulp.com
Thursday, July 15, 2010
1982 Samson SMX-1 Wireless Microphone System
Finally! A professional, affordable wireless mic system...Samson SMX-1
Now for the first time ever, it is possible for the vocalist to "go wireless" with a professional quality system for only $529. The SMX-1 wireless system comes complete with microphone with built-in transmitter, receiver and battery. 200 foot range. Rugged and roadworthy.
1982 Samson SMX-1 Wireless Microphone System Ad available at www.GuitarPulp.com

Now for the first time ever, it is possible for the vocalist to "go wireless" with a professional quality system for only $529. The SMX-1 wireless system comes complete with microphone with built-in transmitter, receiver and battery. 200 foot range. Rugged and roadworthy.
1982 Samson SMX-1 Wireless Microphone System Ad available at www.GuitarPulp.com
Wednesday, July 14, 2010
1982 Shure SM58 Microphone - one rigid tradition
The world's least conservative profession has maintained one rigid tradition. The SM58.
In an industry that discards electronic products like ice cream wrappers, the SM58 and its close cousin, the SM57, have remained the overwhelming choice of rock, pop, R&B, gospel and jazz vocalists for the last 16 years. Why? Simply because there is no sound quite like the SM58 sound...
1982 Shure SM58 Microphone - one rigid tradition Ad available at www.GuitarPulp.com

In an industry that discards electronic products like ice cream wrappers, the SM58 and its close cousin, the SM57, have remained the overwhelming choice of rock, pop, R&B, gospel and jazz vocalists for the last 16 years. Why? Simply because there is no sound quite like the SM58 sound...
1982 Shure SM58 Microphone - one rigid tradition Ad available at www.GuitarPulp.com
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